"THEN I KNEW I WAS GOOD AT PAINTING"

Nontobeko Ntombela is a member of faculty at the Wits School of Arts at the University of the Witwatersrand, Johannesburg. Her academic and curatorial work focuses on modern and contemporary South African art, with a particular interest in, but not limited to early modern Black women artists. This research has resulted in various academic texts and curated projects.

 

Prior to starting her academic career in 2012, Ntombela worked as a curator for more than a decade in organisations such as the Johannesburg Art Gallery (2010- 2020), Durban University Art Gallery (2005-2010), BAT Centre (2001-2005), and Art for Humanity (2000-2001). Some of Ntombela’s most well-known curatorial projects include, When Rain Clouds Gather: South African Black Women Artist 1940 - 2000 (2022-2023), co-curated with Portia Malatjie at Norval Foundation, The Burden of Memory (2019) – a multiple-site event in the city of Yaoundé Cameroon - co-curated with Rose Jepkorir and Princess Marilyn Douala Bell,  Solo at the Cape Town Art Fair (2018), A Fragile Archive (2013) at JAG, Spectaculaire (2013) Frac des Pays de la Loire Carquefou France, MTN New Contemporaries (2010) at the KwaZulu-Natal Society of Art and From Here to There (2007) co-curated with Storm van Rensburg at the Association of Visual Arts (AVA) as part of the CAPE07 fringe programme.

 

She is the co-editor of The Yoni Book, in collaboration with artist Reshma Chhiba (2019). Ntombela has served on various boards and committees for organizations such as the Department of Arts and Culture, VANSA Visual Arts Network of South Africa, National Arts Council, KZNSA KwaZulu Natal Society of Arts, Art for Human Rights Trust, Johannesburg Art Gallery, and UNISA Art Gallery. In 2019, the Melrose Gallery invited Ntombela to curate a worldwide touring show of Dr Esther Mahlangu's work, which begins with this exhibition: Then I knew I was good at painting: Esther Mahlangu, A Retrospective at Iziko Museums of South Africa in Cape Town.